Based on a true story, young Tom and his misfit friends fight to save 'Buster' the baby elephant during the German air raid bombings of Belfast in 1941.
Vienna 1945: The powder keg of war and the Russian occupation as seen through the innocent eyes of nine-year-old Christine. She knows as little about peace as children today know about war. Bombed out and penniless, she and her family are put up in a fancy villa on the outskirts of Vienna. They now have a roof over their heads – nothing more. After the German soldiers capitulate, the Russians take over the house. Everybody is scared of the Russians, who are believed to be a capricious lot. Everybody, except Christine.
Based on a true story, young Tom and his misfit friends fight to save 'Buster' the baby elephant during the German air raid bombings of Belfast in 1941.
Guatemala, in the 1980s. The worst days of the Civil war. Andrés is 9 years old. He lives with Pedro González, one of the men who massacred all the women and children in his village. Andrés has survived, but he’s scared. Pedro’s wife, María, is also scared: scared to go out, scared to lose Andrés, whom she considers as “her new son”. Even Pedro is scared: scared of himself and what the Army orders him to do. Andrés would like to run away, but he also wants to stay in his new family – until his sister appears.
The film tells the story of a small Czech boy, František Bureš, freed by the Soviet Army from a Nazi concentration camp, who ends up fighting with Czechoslovak soldiers at the Dukla Pass. The soldiers from the field laundry he's assigned to love him. But Práče – nicknamed after the smallest of Hussite fighters – doesn't like it at the laundry. He tries to get into combat to prove his bravery. The soldiers then decide to teach František how to handle the gun and send him as a link to the artillery. The boy finally sees a real battlefield...
Liyana is a young, fictional girl created by several young orphans in Swaziland, where the scourge of AIDS has ravaged the population, leaving hundreds of thousands of children to fend for themselves. In a storytelling workshop, the youngsters learn to create a central character for their story, then draw on their own – often ghastly and horrifying – true-life experiences to create an exciting adventure for their heroine, which relies on her bravery, cleverness and sheer determination.
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